Tyndall Galleries - Chapel Hill, NC

Steve's Thoughts

I have loved this gallery for a long time. While it is in University Mall, where three art galleries can be found, Tyndall Galleries does not come across as a commercial gallery. Rather, it registers more like a museum of fine art. Everything is carefully designed to set each artwork for maximum impact.

Not that Tyndall Galleries isn't lovely in its own right. The walls are white, the floor is a lovely pale hardwood, the lighting is wonderful, and the labels are very quiet beside each piece. Artworks each have plenty of breathing room, and this means each is noticed. Featured artists have their names on the wall above their section, in a neutral toned, non-serif font, resulting in a display that could be photographed as a museum quality art poster. Jane Tyndall spoke with us about one display, in particular, and we could tell that while the artists want perfection within their paintings, Jane's goal is perfection within the gallery space. The result is worth the effort. Every time I enter this gallery I feel the wholeness and unity of it, even as I walk about and visit the separate galleries featuring each artist.

The display I mentioned above was for Jacob Cooley (whose paintings we will review in a separate post). A free-standing wall that divides the space into front and back galleries, without sacrificing the unity of the overall space, was hung with one long horizontal landscape, and then ten small square landscapes, five above, and five below. The spacing between the paintings, the spacing within the shape of the wall, and the placement of the artist's name (below, which was unusual and effective) all worked well as a composition in their own right, and held my attention longer for each piece as a result. While other artists had more work and more wall, I somehow felt that Jacob Cooley was the star attraction as a result of this special hanging.

The other two featured artists had key positions and beautiful displays, as well. We hope to review all three in separate posts.

Jane Tyndall radiates warm energy, always in motion, and if you meet her there she may strike you as the brightest point in the gallery. Staff always warmly welcome patrons, and then leave them to quietly engage the artwork. She has created a unique, beautifully scaled space, and the ever changing art in her gallery is always worth a visit.

Kaisa's Thoughts

Tyndall Galleries has an open interior, with white walls and a hardwood floor, and the artwork arranged so artistically that you feel like you’re in a museum. Each of the three featured artists have a wall to themselves, arranged to showcase the artists at their best.

Because the interior is so uncluttered, your attention is drawn to the artwork, which is easy to contemplate, since there are no distractions.

Artists featured during our review (7/28/07):

Rachel Campbell
Jacob Cooley
Gayle Stott Lowry

I love to come into Tyndall Galleries to see any new Jane Filer paintings. More on Jane Filer in a separate post, as well - I can't decide if the gallery or the artist is luckiest in that ongoing relationship.

Tyndall Galleries
University Mall
201 S. Estes Drive
Chapel Hill, NC 27514
Tel: 919.942.2290

For more information, directions, hours of operation, please see the Tyndall Galleries website.

John Rosenthal

Steve's Thoughts

I posted on another blog a commentary about composition, and John Rosenthal's marvelous photos. See the other blog post here.

Columbia Museum of Art

Steve's Thoughts

Several months ago I visited the Columbia Museum of Art with a friend. I wrote a post on another blog - you can read it here.

Cindy Woods

Steve's Thoughts

Cindy Woods posts a drawing (or several) just about every day on her blog Learning Daily.

Here are some samples:

a bit of the birthday lunch
I love this. The fork, the spoon, the lovely loops in the bowl in the upper left, the green shapes in the bottom (green beans? grin)... That same playful life in her figures making this still life not still. I also love the limited and judicious use of color. The sugar packs... There may not have been much color in this place setting, but I love the use of just green and the two primaries that make green. The blue sugar packs echo in the grays in the stainless steel. The browns are subdued enough to play as neutrals - excellent restraint. I like the composition created by the brown of the table running down the right edge and across the top, and the white elsewhere - all acting as negative space even when it's the more positive cloth. Even the cropping isn't accidental - it says Cindy Woods. The more I look the more I see - I just noticed the lovely handling of the ice cubes. Precision everywhere, but with the tightrope walking suspense and energy of a blind contour drawing* (the fork!). Brava. Cindy Woods and Sparky Donatello do this so well.

Here are more lovelies:

firehouse five
The whole sketch (or montage of sketches - I like the way they all work together but aren't necessarily from the same viewpoint/view) seems ready to break into movement - I think it's the quality of Cindy's line - and the juggler is the coup de grace.

short and long poses
The sense of weight, the way this fits on the page, the beautiful contours...



Maymont audience
Sigh. I just love the weight and quiet pause of this. Cindy makes this look effortless, but it is years of drawing just about every day that makes this possible. You can see her artistic and expressive strength growing over the months and years of her blog. It's a fascinating chronicle.

Go look at LOTS more - after all, she's "Learning Daily." I look at her blog just about every night.

*Blind Contour Drawings are an artistic exercise that strengthens the right brain, the visual/spacial side. They are done without looking at the drawing - just at the subject, and FEELING the way your pencil/pen should move over and around the subject. The chatty, verbal left brain just hates this kind of stuff, and gets out of the way. Cindy gets some wonderful results, like this cool pool party sketch.

Miriam Sagasti

Kaisa's Thoughts

Miriam Sagasti paints lovely scenes of Peruvian villages. The feeling of warmth and sunshine in these paintings is truly delightful. The tiles on the roofs look like they’d be hot to the touch, and the little gardens and potted plants all over the place make the towns seem cheerful and alive. I like the way she uses bright colors, like blues and greens, for doors and window frames on the brown and cream colored houses.

She also has more realistic scenes, like Balcon de Chincheros and Old Town Alexandria. In Balcon de Chincheros, the lighting is so realistic, you feel like you could reach out and touch the building, and Old Town Alexandria gives a feel of winter solitude and elegance.

Steve's Thoughts

I've been noticing Miriam Sagasti's paintings and giclee prints for the last year, since they showed up at Little Luxuries and Brick Alley Books in Hillsborough. Because that is a small shop, the works there were smaller pieces. What we saw at Art and Soul were larger, and some were in a different style.

A favorite of mine, Blue Balcony, is stylized, working in the abstract as well as being representational. They are brightly colored, light hearted, full of sun and light, and play with patterns, almost as a quilt might. The slopes of the Andes, in the background of this and many of her paintings, seem almost to be draped with quilts at their lower elevations. Lovely shapes and colors everywhere - and while the colors are bright, they are never garish. Harmony and peace prevail. These are quietly happy paintings, and the feelings are contagious.

As Kaisa mentioned, blue balconies and window frames on white or cream colored buildings is a common theme, almost a signature element. Village Downtown is another fine example, with a more elaborate array of balconies. In the background the Andes appear arranged in harmonious symmetry, again reminding me of the peaceful beauty of quilts. One of the mountains is a volcano, and the way the smoke is painted made me smile and stare. I believe these paintings make her happy to paint them; you can feel it.

While most of her work is graphic, playful, almost childlike in the choice of colors and composition, others are more realistic. Balcon de Chincheros is an example. Though it is still ostensibly about a balcony in a bright color (blue green) for me it was more about the games of shapes and positives and negatives. The cut-outs in the balcony rail are playfully handled, sometimes with dark background, sometimes with light. I loved the game being played with the wrought iron lantern hanger and its shadow. The bit of green door on the right hand edge, and the amount of sky showing are also deliberate and deft composition decisions. They set the piece in balance and your eye in motion. I would be hard pressed to pick a favorite between this piece and her more playful, colorful paintings.

Miriam Sagasti has a beautiful website, and some of her work is available as prints. Go check it out - and you owe it to yourself to see her work in person.

Art and Soul - Mebane, NC

Steve's Thoughts

For our first gallery we went to Mebane, to Art and Soul Studios. Every time we go to Mebane there seems to be more on Clay Street. (Composite image of the North side of Clay St is from Lance McCord's Flickr photostream. Art and Soul is on the left, large white sign above door, to the left of the silver pickup truck.)

The gallery is beautiful, intimate, and arranged so you could easily imagine the artwork in a home. It is small enough to invite lingering over pieces, and most reward you if you take your time and look closer. The colors and lighting make it an uplifting place in any season, but I imagine it's particularly good for the soul on a winter day. Everything is lovely and pleasant, from the owners to the clearly marked prices and information on artists and pieces.

Cindy Champion, one of the owners, was charming, friendly, and full of information about the artists and the artwork. No sales pressure - Cindy knows that falling in love with an artwork can take time, maybe several visits. While we were there, in fact, a customer came in laughing and saying that she was back again; she just had to have that piece and she was ready to buy it today. Her purchase, and ours, were carefully packaged for their journeys home.

The gallery features artists as well as showing work by a group of regulars, and pieces purchased from local potters, jewelers and glass blowers. The image to the left is the postcard for the current show.



Kaisa's Thoughts

Upon entering, I noticed that the lighting was done nicely, and with some unusual lights, too, not just your average white gallery lights. The interior was cozy and welcoming, and drew you further into the space. The artwork was displayed attractively, with individual artist work spread all around the gallery, not all clumped up together. The walls were a warm shade of yellow, which set off the artwork favorably.

The pottery displays were particularly interesting, with adjacent pieces setting each other off. One thing I particularly liked was the red bowl with the two green earrings hanging on the edge, which set off the red in the bowl and the green in the earrings marvelously.
It was a restful, peaceful, place, and I'd love to go back again.

Of note right now (some of these will get separate posts):

T E Davis - hand crafted furniture from aged red cedar and other materials
Susan Hope - fused glass panels and jewelry
Caroline Kelly (was Kellogg) - watercolor florals in luminous pinks and yellows
Andria Linn - acrylic paintings - abstracted florals
Jude Lobe - acrylic paintings - landscapes, florals
Sudie Rakusin - whimsical pen and watercolor illustrations and tiny multi-media pieces
Miriam Sagasti - acrylic paintings - colors and images from Central and South America
Steve Schafer - brilliantly colored raku pottery and soft, muted abstracts
David Sovero - acrylic absractions - a series inspired by a pottery opening at Art and Soul
Pringle Teetor - blown glass

Art and Soul Studios
122 W Clay Street, Mebane, NC - 919-563-2300 - www.artandsoulmebane.com